From: tcmay@netcom.com (Timothy C. May)
Date: Sat, 5 Mar 94 10:58:41 PST
To: cypherpunks@toad.com
Subject: Stego in Jazz?...The Miles Files
Message-ID: <199403051859.KAA14089@mail.netcom.com>
MIME-Version: 1.0
Content-Type: text/plain


Straightahead jazz fans take note! More significant bits follow:

* Critics who claim jazz = noise now will understand that jazz evolved
in the 1940s as a stego method for communicating with agents in the
field.

* Hitler was right in suspecting "that Negro music."

* Agent Parker developed method of putting signals in Bird calls, with
great sax appeal.

* Unveiling below of "crypto-jazz" movement. Cryptids are spreading
the PGP word. Jazz raves to be the Next Big Thing.


From: esharp@panix.com (Elliot Sharp)
Newsgroups: rec.music.bluenote
Subject: crypto-jazz
Date: 3 Mar 1994 12:10:51 -0500
Organization: PANIX Public Access Internet and Unix, NYC
Message-ID: <2l55mr$b5s@panix.com>
Summary: a night of
Keywords: Sharp,Ribot,Berne

on Tuesday, March 15, the Cooler (416 W. 14, NYC) will present a
night of crypto-jazz with:

	10 pm  Elliott Sharp's  THE CRYPTIDS (Sharp-reeds, guitar w/
		Reuben Radding-bass, David Gould-drums)

	11 pm  Marc Ribot - solo guitar

	12 am  Tim Berne's BLOODCOUNT (Berne-reeds with quartet)