From: “Deranged Mutant” <WlkngOwl@unix.asb.com>
To: cypherpunks@toad.com
Message Hash: 078805fbfac3cdb74ee1ac616239c129d031d55c94eafaf63c642ffa437e213a
Message ID: <199607121211.IAA25703@unix.asb.com>
Reply To: N/A
UTC Datetime: 1996-07-12 17:17:44 UTC
Raw Date: Sat, 13 Jul 1996 01:17:44 +0800
From: "Deranged Mutant" <WlkngOwl@unix.asb.com>
Date: Sat, 13 Jul 1996 01:17:44 +0800
To: cypherpunks@toad.com
Subject: Digital Watermarks for copy protection in recent Billboard magaz
Message-ID: <199607121211.IAA25703@unix.asb.com>
MIME-Version: 1.0
Content-Type: text/plain
Paged through a recent (June or July 13) edition of Billboard
magazine yesterday. There was an article about the music industry,
the internet, and copyright issues. Didn't have a chance to read in
thoroughly, but it mentioned using digital watermarks which contained
info on to who (CC number) and when the material was sold... the
watermarks allgedly could survive if a CD was taped, copied several times
and redigitized.
It's rather interesting for several reasons... imagine if every CD
you owned was tagged with a link to your identity. So imagine
getting a used CD or from a garage sale... after several years a
pirated edition is floating around the internet...
The anti-piracy scheme is only useful for direct sale to a customer
though. If you buy music anonymously, how is it traced? This only
works for pirating on-demand purchases.
Other issues: what if an eavesdropper steals the music or video? It's
tagged with your ID. If he spreads pirated material, you get in
trouble even though it's not nec. your fault (if no secure
communications are available, anyway).
If it uses a credit-card number as (part of) an ID, that's pretty
bad. Someone can sniff for CC numbers if they know how it's stored.
The system will have to rely on proprietary tech and security through
obscurity. Even know how watermarks are stored without understanding
the math, one must be able to somehow garble the sound without
distorting it, but which renders the watermark useless.
That a watermark can survive when the music is converted to analog
and then redigitized is interesting... (if it's saved as inaudible
tones, what's to prevent one from blurting them out with noise in
those frequencies?)
Guess I'll have to hunt down that issue and post useful excerpts from
it...in terms of far use, of course. (Or perhaps an alt-vista
search...)
Rob
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1996-07-12 (Sat, 13 Jul 1996 01:17:44 +0800) - Digital Watermarks for copy protection in recent Billboard magaz - “Deranged Mutant” <WlkngOwl@unix.asb.com>