1997-07-02 - Re: Copyright / Re: Dr. Dobbs Cryptography and Security CD-ROM

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From: Paul Bradley <paul@fatmans.demon.co.uk>
To: Anonymous <nobody@replay.com>
Message Hash: 1427b5b20c8f366896b9b89a340badb704655d623754d766d5fb3242419542a1
Message ID: <Pine.LNX.3.91.970702180139.648A-100000@fatmans.demon.co.uk>
Reply To: <199707012155.XAA06734@basement.replay.com>
UTC Datetime: 1997-07-02 19:33:28 UTC
Raw Date: Thu, 3 Jul 1997 03:33:28 +0800

Raw message

From: Paul Bradley <paul@fatmans.demon.co.uk>
Date: Thu, 3 Jul 1997 03:33:28 +0800
To: Anonymous <nobody@replay.com>
Subject: Re: Copyright / Re: Dr. Dobbs Cryptography and Security CD-ROM
In-Reply-To: <199707012155.XAA06734@basement.replay.com>
Message-ID: <Pine.LNX.3.91.970702180139.648A-100000@fatmans.demon.co.uk>
MIME-Version: 1.0
Content-Type: text/plain




>  As a recording musician I expected to get money for my recordings,
> just as everyone else in the chain of business did in making my
> music available to the end-user. (And just as a grocer who makes
> food available to his customers expects you to leave something in
> the till on your way out of the store.)

You draw incorrect paralells between the physical medium and the data 
encoded on it.

>  I have never had any problem with someone recording a copy of my
> music from a purchased copy if they are a music lover with a thin
> pocket, or can't readily purchase it. If someone with a $2000.00
> stereo wants to enjoy the fruits of my labor without contributing
> any money to my health and welfare, then I consider them to be just
> another thief.

Theivery doesn`t come into it, you simply have no property rights over 
your speech. I can "say" whatever I want, that includes "saying" the same 
set of bits on a CD made by you, onto a tape or minidisc. Because MD and 
DAT are not yet common, and as Tim pointed out most consumer DAT boxes 
don`t copy original CDs or DATs, copying is less widespread than it could 
be; if I like an Artists work or a particular album I will buy it on CD 
because the quality is higher than copying to tape, and I don`t have a 
DAT machine (even if I did I wouldn`t find it useful as my main stereo is 
in my car). I don`t just say this; I do it, I have a lot of copied music 
which I listen to occasionally but all my favourite stuff (my large-ish 
collection of jazz and blues) is on original CD.

>   Buy it, if at all possible. If you download a copy on the net
> and can't afford $99.00, then send them $10.00, or $20.00, etc.
> If you can't afford to send them a nickle, then do what you can
> to promote their product. Provide pointers to their business,
> tell people about their products, etc.

I agree with this sentiment entirely: Copyright is not something to be 
enforced or condoned but if you do use someones work think about at least 
giving credit or making a donation on a voluntary basis, for one thing it 
helps stimulate the market.

>   Technology may well enable us to take the product and give
> nothing in return to those who made it available, but doing so
> will not further our own beliefs and aims to any extent.

Again, this is the right way to think of "intellectual property", not as 
real tangiable property which can, or even should be protected, but as a 
bond of trust between provider and end user, if you rip off a copy of my 
s/w and decide you like it, why not buy a copy? The same is true of 
music, source code, hard-copy books etc...

        Datacomms Technologies data security
       Paul Bradley, Paul@fatmans.demon.co.uk
  Paul@crypto.uk.eu.org, Paul@cryptography.uk.eu.org    
       Http://www.cryptography.home.ml.org/
      Email for PGP public key, ID: FC76DA85
     "Don`t forget to mount a scratch monkey"







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