From: Robert Hettinga <rah@shipwright.com>
To: Steve Schear <cypherpunks@Algebra.COM>
Message Hash: 4535b364e01f61e3abe9210bade6a689ecc67ffa7638941487838dae037bad2d
Message ID: <v03110731b086a0585c13@[139.167.130.248]>
Reply To: <199711021807.MAA30019@email.plnet.net>
UTC Datetime: 1997-11-06 01:22:40 UTC
Raw Date: Thu, 6 Nov 1997 09:22:40 +0800
From: Robert Hettinga <rah@shipwright.com>
Date: Thu, 6 Nov 1997 09:22:40 +0800
To: Steve Schear <cypherpunks@Algebra.COM>
Subject: Re: Copyright commerce and the street musician protocol
In-Reply-To: <199711021807.MAA30019@email.plnet.net>
Message-ID: <v03110731b086a0585c13@[139.167.130.248]>
MIME-Version: 1.0
Content-Type: text/plain
At 7:13 pm -0500 on 11/2/97, Steve Schear wrote:
> The first somewhat serious treatment of this I saw was Hughes's DEFCON IV
> presentation entitled, I believe, "Universal Piracy System."
I'm curious about this...
Did DEFCON IV happen before, or after, the rump session of FC97 (February
26? 1997), when Jason Cronk talked about recursive auctions on geodesic
networks? Actually, now that I think about it, Ian Grigg did a talk about
the sell-side inverse of the same idea in the same session...
Cheers,
Bob Hettinga
-----------------
Robert Hettinga (rah@shipwright.com), Philodox
e$, 44 Farquhar Street, Boston, MA 02131 USA
"... however it may deserve respect for its usefulness and antiquity,
[predicting the end of the world] has not been found agreeable to
experience." -- Edward Gibbon, 'Decline and Fall of the Roman Empire'
The e$ Home Page: http://www.shipwright.com/
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